The term cult identifies a pattern of ritual behavior in connection with specific objects, within a framework of spatial and temporal coordinates. Rituals would include (but not necessarily be limited to) prayer, sacrifice, votive offerings, competitions, processions and construction of monuments. Some degree of recurrence in place and repetition over time of ritual action is necessary for a cult to be enacted, to be practiced.
– Carla Antonaccio, Contesting the Past: Hero Cult, Tomb Cult, and Epic in Early Greece
AAS Molecular Cults are heterogeneous assemblages of possible elements that are performed as improvisations. These elements may be substances (fluids, powders, etc), processes, sounds, materials, or structures. The performances are improvised but not chaotic or random, in the manner of a series of interrelated processual refrains within a defined space and/or timeframe. The temporality for Molecular Cults is multiple, with loops and whorls of elements being sequenced and resequenced so that past, present and future begin to explicitly interact. This is in contrast with the more linear temporality of the Diagram Performances although there is, inevitably some cross-over.